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After returning from suicide watch, Frances and the other inmates devise a plan to get back at Dease with the help from Michael and Aisha, who is fed up with Dease for beating her. Caught on video, the ladies plan on giving the evidence to the governor. When she returns to the jail cell, bleeding profusely and in terrible pain, the other inmates rush her to the infirmary where she suffers a miscarriage and dies.

The inmates, who are violently upset, attack the doctor as he attempts to call Dease to have them escorted back to their jail cells. They hold the doctor at gunpoint and handcuff Michael to a chair. Wet shoots Dease as he enters and he in return fires a shot and hits the doctor.

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Nelson, informed of the situation, refuses to call the governor for assistance and instead orders the officers to be ready at the scene. In the infirmary, the convicts release Michael, handcuff the wounded Dease, and call Nelson, telling him he has one hour to get the governor on the phone.

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Nelson demands to speak with Dease in order to ensure that he is alive. When her back is turned, Dease attacks Frances and Nikki shoots Dease several times, killing him. Sergeant Cervantes MC Lyte , the officer in charge, orders the inmates to surrender and Wet goes outside and kills an officer, after which Wer is shot and killed. After much thought, Frances and Nikki decide to exit the infirmary and are killed by the officers.

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Meanwhile, Aisha sneaks into Dease's office and retrieves the tape. During her final narration, Sabrina explains that after taking the evidence to a lawyer, the women file a lawsuit against the prison for their abuse and win the case. The prison is shut down and Nelson is indicted for making corrupt business deals and using the prison for his profit. Aisha is killed in a prison fight shortly after.

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Civil Brand's most recognizable theme is the use of the prisoner for a means of profit. Director Neema Barnette sought to expose the elements of the prison industrial complex and its effect on the inmates within a prison. Using relatable characters, she shows the inmate's perspective on working under harsh prison conditions in an attempt to persuade the audience to sympathize with the cast as they are exploited by the officers that run the prison.

Barnette replaces the idea rehabilitation, a concept that is commonly associated with the US prison system, with the idea of exploitation, which, as her depiction of Whitehead Correctional Institute portrays, has become the norm in many facilities. Because the main concept of the film was harmful to the reputation of US prisons, Barnette stated that she had a difficult time having her film approved, which motivated Barnette to push forward with the film.

In order to carry out the idea of exploitation replacing rehabilitation, Barnette focuses on the interaction between characters Warden Nelson Reed R.

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For example, Dease asks Nelson if the prison should be locked down after Aisha's stabbing, to which Nelson responds that the prisoners must keep working. The importance of making a profit has taken over the prison's regulations and has caused the prison to be operated like a business at the expense of the prisoner's rights. For example, when the prisoners attempt to protest the working conditions to Miller as he arrives to the workstation, Nelson does what he can to control the riot in order to salvage the possible business deal he has with Miller.

Neema Barnette's characterization of Nelson and Dease reflects the growing issues surrounding the privatization of the prison system. She states in an interview that more companies are taking their business to prisons for a cheaper source of labor, leading to a limited source of jobs for American workers and the creation of regulations such as the three strikes law , which keeps prisoners in jail after their sentences.

The female inmates struggle with the abuse by men in their previous lives prior to their crimes as well as inside the prison walls. Barnette creates an idea that these women are battling against their male suppressors, creating an underlying feminist tone in the film. Before they enter the prison walls, Barnette portrays these women as the weak victims who were punished crimes provoked by the abuse from the men they were with.

These women committed crimes that were in response to a man's abuse of power and creates a sense that these women, although criminals, are innocent women who were manipulated and taken advantage of in a man's world.

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  7. As they attempt to stand up against their male opponents, Barnette demonstrates that these inmates were dismissed by the prison system and treated unequally. A battle for authority and respect is created with a division between the men, who are officers holding a powerful position in the prison, and the women, who are the inmates subjected to abuse and harsh labor conditions. Because the officers of this film abuse the women and are the antagonists in this film, the men that play these roles are cast as the enemy against the female inmates who are depicted as helpless victims.

    Using physical and mental abuse, these women are taught to have a mentality that they are less of value than the men that control the prison. Neema uses the character of Sergeant Cervantes MC Lyte to emphasize the importance of unity and trust amongst the female against their male officers. There is a feeling amongst the female inmates that Cervantes, also female, has betrayed them for their male enemies. Sabrina states that the inmates, who attempted to confide in Cervantes because she was a female, realized that she was not on their side and therefore not to be trusted. Her masculine characteristics and lack of trust amongst the inmates demonstrates that she is on the male's side, but the lack of respect that she receives from Dease and Nelson demonstrates that she does not share complete power with the males in the film.

    Irony plays a part in Civil Brand, as the roles typically seen in an actual prison are flipped during this film. Law enforcement, which is commonly viewed as a positive element of the community, takes on the opposite role in which they are portrayed as the antagonists who abuse their authority and exploit their prisoners. The criminals, who are commonly outlawed by society, are portrayed as the protagonists because they are the victims being abused.

    Michael Meadows, the new officer at Whitehead Correctional Institute, gives off a feeling of innocence since he has yet to be converted into an abusive cop like the other cops. His care for the inmates and lack of similarity to the other cops, who have many more years of experience, gives a sense that individuals who are given power learn to take advantage of it and the prison system has the ability to transform outsiders like Michael into abusers such as Dease and the other officers in this film. Eventually, Tsarnaev will be sent to prison in Terre Haute, Indiana, where federal death row inmates are executed.

    Mahmud Abouhalima, who became an ADX inmate after being convicted for participating in the World Trade Center bombing, described life in his cell :. I am virtually living in a bathroom, and this concept has never left my mind in ten years. Many of the inmates spend 23 hours alone in their cells each day.

    From computerised control booths, staff monitor the ranges using remote-controlled video cameras and motion sensors. Every half hour, day and night, he is checked through the windows in his cell doors and must stand by his bed at designated times, five times a day as the staff take a head-count. Tsarnaev will have few options of what to eat though non-pork items are offered to Muslim inmates.

    According to a report by 60 Minutes , inmates who go on hunger strikes are force-fed.

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    Abouhalima described how limited communication is for inmates:. I submitted request after request just to send condolence letters to my family mourning these deaths. Like a maced asshole, there's a big red "but" looming around here somewhere: Basically no one got to use DART. Their entire treatment facility had only beds. They figured that the need for the program outstripped the supply by percent. So there's not much help available while you're inside. And while you're out? Good luck getting a job. My family's friends hired me and got me the training that let me eventually go to work for myself.

    But most employers won't take the risk on a felon. All the guys I know wound up back in for stupid stuff: caught with drugs, robbing a store, just asking for money -- not even with any kind of threat. A guy I know named Jonas went to prison for throwing bricks through a window when he was He had an month sentence. He's been in for the last 37 years because, while he was there, he wound up killing a couple of people, stabbing a few more Look: Take a bunch of year-old men, put them in basic training, stick them with some year-old soldiers, and eventually the new guys figure out how to soldier.

    Now do the same thing with young people and career criminals in lock-up and you'll see the problem with prisons. And it's not a matter of criminals even teaching each other how to commit crimes. What does get transferred is the attitude that living like an outlaw is acceptable, if not necessary. After all, if someone's in prison for robbing a bank, I'm not about to ask them for advice on how to rob a bank In prison, personal space is important.

    We can have people walking down a foot hallway and no one bumps into anyone. It's just not done. That's a fight if you're lucky and a stabbing if you're not. You want a smoke, so you grab one of your cigarettes, but pick up my matchbook? I am liable to bust your head open. Those are my matches ; you don't take my matches. It doesn't matter how minor it is. People will get bloody-violent over a pack of sugar. Don't sit on a man's bunk. Don't sit on a man's chair. You see a photo on the wall, don't tell the guy his wife is hot.

    The little stuff is so important, because people in prison have almost nothing. Reputation is the truest currency that exists in prison. You mostly used it to buy soda, toothpaste, and coffee. I loaned money to make extra money. I might have had to bust somebody's head a few times, but the good thing about prison is that once someone gets a reputation for busting heads they usually don't have to do it again.

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    We had a lot of drugs. Some people used Jimson weed, which can fuck you up or kill you depending on the dose. In those days they handed out Sudafed like it was candy, so people would eat 50 to 60 pills and get jacked up on the allergic man's meth.